卢岩回忆录
本人的回忆录，宗教文化
图15.3.3-35和36显示墨西哥（又名阿兹特兰，特拉洛克，金童，亚当）从地狱里飞出来了。图36是用左上角的房子来表示墨西哥是从地下出来的。
Figures 15.3.3-35 and 36 show Mexico (also known as Aztlan, Tlaloc, Gold Boy, and Adam) flying out of hell. Figure 36 uses the house in the upper left corner to represent Mexico coming out of the ground.
1 人身果 Human Body Fruit
图35表示，墨西哥砍下了绿咬鹃的头，使用绿咬鹃的身体，他飞出了地狱，翱翔于天空。这只绿咬鹃代表灵龙神（俗称羽蛇神Quetzalcoatl），亦作白藏 （White Tezcatlipoca）。灵龙神的本质是思维机制中的 “随念自我”（参见15.1节），欧洲人称作亚伯（Abel），日耳曼人称作马格尼（Magni），欧洲邪教称作法人（Jurist，Brahmin），印度人称作婆罗门（Brahmin），中华文化中称作大力神，葫芦娃，福。此法（即亚伯，灵龙）就是神身天（如图8）的身体状态，力量强大，尘世间无有能敌。
Figure 35 shows that Mexico (aka. Gold Boy, Tlaloc) cut off the head of a Quetzal and used the body of the Quetzal to fly out of hell and soar into the sky. This Quetzal represents Quetzalcoatl (commonly known as the Feathered Serpent God), also known as White Tezcatlipoca. The essence of Quetzalcoatl is the "along thinks ego" in Mind Mechanism (see Section 15.1). Europeans call it Abel, Germans call it Magni, European heretical religion call it Jurist (Brahmin), Indians call it Brahmin, and Chinese culture calls it Great Strength God, Gourd Children, Fortune. This law (i.e., Abel, Quetzalcoatl) is powerful and there is no sentient in the mundane world who can defeat it.
墨西哥是如何使用灵龙的？灵龙所处的身心状态和三岁之前的婴儿类似，所以佛教称墨西哥记忆中他和翠玉女订婚的事为人身果。前文墨西哥获得了宿命通，就吃到了人身果（即三岁之前的记忆），所以他的病情有了大幅度的好转。这颗人身果在图36中是用系在墨西哥众神脚踝上的红绳来表现的。那红绳是三十几年前，青松石王子为金童和玉女订婚时系下的。同时读者也可以这样理解，墨西哥和翠玉女的婚姻纽带是灵龙，是斩不断的。
How does Mexico use Quetzalcoatl? Quetzalcoatl's physical and mental state is like that of an infant under three years old, so Buddhism refers to Mexico's memory of his engagement to Chalchiuhtlicue as the “fruit of human body.” As mentioned earlier, Mexico obtained the Fate Through and thus attained the fruit of human boy (i.e., the memories before age of three), resulting in a significant improvement in his condition. This fruit of human body is depicted in Figure 36 as a red string tied to the ankles of Mexico's gods. That red string was tied by the Turquoise Prince over thirty years ago when he arranged the engagement between the Gold Boy and the Jade Girl. Readers may also interpret this to mean that the marital bond between Mexico and Chalchiuhtlicue is Quetzalcoatl, an unbreakable connection.
图35显示，墨西哥杀了灵龙，而且和灵龙融合了。这表示灵龙（即亚伯）是可以被杀死的。墨西哥身上的图案代表三昧真火，表示他已经是 “八大金刚”（参见17.3.2《忍渡》）了。三昧真火分别是地狱之火（如图22），神身天火（如图8），和四禅天火（如图5）。
Figure 35 shows that Mexico killed Quetzalcoatl and merged with it. This means that Quetzalcoatl (i.e. Abel, Magni) can be killed. The pattern on Mexico's body represents the Samadhi True Fires, indicating that he has become the "Eight Philosopher Stone Giants" (see 17.3.2 "Countenance Ark"). The Samadhi True Fires are the Fire of Hell (as shown in Figure 22), the God Fire of the Godly Body Sky (as shown in Figure 8), and the Fourth Meditation Sky Fire (as shown in Figure 5).
墨西哥文化不赞成修行的人杀死灵龙，但是认为如果真的有人抓住了灵龙（法人，婆罗门），可以拔下底下的几根毛留作光辉事迹的纪念，然后把他或她释放了。读者当知，虽然拔灵龙（法人，婆罗门）底下的毛不违反上帝或佛的律法，但如果你被尘世间的警察抓住了，那是另外一回事。
Mexican culture does not approve of Godly Migrators killing Quetzalcoatl, but it does hold that if someone were to capture a Quetzalcoatl (a Jurist, a Brahmin), they could pluck a few hairs from its underside as a memento of their glorious deed and then release him or her. Readers should be aware that while plucking hairs from the underside of the Quetzalcoatl (Jurist, Brahmin) does not violate the laws of God or Buddha, if you are caught by mundane police, that is another matter entirely.
2 墨西哥的计划 Mexico's Plans
插图36和37中，墨西哥被表现为四个人，循着 “法迹” 在迁徙去纳瓦特尔国的首都的路上。因为故事着重讲述墨西哥的心理历程，所以讲故事的人说他们在迁徙的途中。图中的脚印在佛教（亦作萨满教）中被称为“法迹”，就是传说故事，庙宇等古人留下来的痕迹。图36A代表当时现时状态的墨西哥（即金童）；后面三个是墨西哥的灵魂，表示着他的三个不同方面。这四个人分别肩负着不同的任务。他们的头顶显示36B和36D肩负着第一级和第二级的任务。36A和36C肩负着第三级任务。
In illustrations 36 and 37, Mexico is represented as four people following the "Juristic Trail" on their way to the capital of the Nahuatl country. Because the story focuses on the psychological journey of Mexico, the storyteller calls them on the way of migration. The footprints in the picture are called "Juristic Trail" in Buddhism (aka. Shamanism), which are traces left by ancient people such as legends, temples, etc. Figure 36A represents Mexico in his present state (i.e. the Golden Boy); the following three are the Soul of Mexico, representing three different aspects of him. These four people are responsible for different tasks. Above their heads, it is shown that 36B and 36D are responsible for the first and second level tasks. 36A and 36C are responsible for the third level task.
2.1
图36B中，墨西哥的左手拿着个太阳，表示他回国的最重要目的是把青松石王子是太阳神的消息告诉给墨西哥人，并把它作为太阳神发射或悬挂到墨西哥的上空。他右手握着个小树苗，表示他要把这个新文明幼苗栽种在墨西哥的土地上。那棵小树苗代表什么？就是本次青松石王子造人的故事，这样的一个故事就是一个宗教，一种文明。
In Figure 36B, Mexico holds a sun in his left hand, indicating that his most important purpose in returning home is to tell the Mexicans that the Turquoise Prince is the Sun God, and to launch or hang him as the Sun God in the sky above Mexico. He holds a sapling in his right hand, indicating that he wants to plant this new civilization seedling in the land of Mexico. What does the sapling represent? It is the story of Turquoise Prince creating humans. Such a story is a religion and a civilization.
2.2
图36D显示着墨西哥回国的第二个目的，就是把青松石王子造人的故事编辑成为《墨西哥法典》，利乐众生千年万年。这个墨西哥穿着小乌龟壳。乌龟和大茶壶是妓院中男佣的别名。他穿着乌龟壳表示他将不计较翠玉女生活中的性丑闻。
Figure 36D shows that Mexico's second purpose of returning home is to compile the story of Turquoise Prince creating humans into Mexican Codex, which will benefit and please all sentient beings for thousands of years. This Mexico is wearing a small turtle shell. The turtle and the big teapot are aliases for male servants in brothels. He wears a turtle shell to show that he will not care about the sexual scandal in the life of Chalchiuhtlicue.
2.3
图36A显示着墨西哥回国的第三个目的，他要把青松石王子残存的肢体送回到他的坟。如图36A，墨西哥背着的就是青松石王子残存的肢体。读者可能会问，墨西哥只是听说了青松石王子过世的消息，就病倒了，他是从哪里弄来的青松石王子的身体？
Figure 36A shows the third purpose of Mexico's return, he wants to return the remaining limbs of the Turquoise Prince to his grave. As shown in Figure 36A, Mexico is carrying the remaining limbs of Turquoise Prince. Readers may ask, Mexico just heard the news of Turquoise Prince's death and fell ill, where did he get the body of Turquoise Prince?
墨西哥得知青松石王子过世的消息后，他的体内发生了爆炸，然后就全身是病，就好像是青松石王子的灵魂进入了他的身体。所以，墨西哥感觉他身上的病就是青松石王子。其中的道理是青松石王子的后半辈子与墨西哥有紧密的联系而他却从来没见过青松石王子，全部的感情都依附于一团迷雾。神识（即无意识）只接受现量，青松石王子过世了，不再是现量了，谜雾散了。墨西哥对青松石王子的情感失去了依附，所以产生了神精粗乱的大悸动（大爆炸），转而转变成为了一部分疾病。如果墨西哥能够看见青松石王子的坟，更新青松石王子的形象，他的病就会得到部分缓解。
When Mexico learned that Turquoise Prince had passed away, an explosion occurred inside him, and then he became sick all over, as if the soul of Turquoise Prince had entered his body. Therefore, Mexico felt that his illnesses were Turquoise Prince. The reason for this is that the Turquoise Prince had a close relationship with Mexico for the rest of his life, but Mexico had never seen Turquoise Prince, and all his emotions were attached to a mystery fog. God-sense (i.e., the unconscious) only accepts present quantity, and Turquoise Prince had passed away, so he was no longer the present quantity, and the fog of mystery was scattered. Mexico's emotions for Turquoise Prince had lost their attachment, so he had a great mental turmoil (big explosion), which turned into part of the disease. If Mexico could see the Turquoise Prince's grave and renew the image of the Turquoise Prince, his illness would be partially relieved.
图36C中，墨西哥左手拿着一支装满了黑暗目的的爱神之箭，右手握着个小树苗，表示他要把青松石王子是上帝的消息告诉给翠玉女。读者可能会有疑问，七百年前的墨西哥人知道希腊的爱神吗？编者我看到的墨西哥古画，他们完全吸收了古代日耳曼文化，希腊文化，苏美尔文化，和中华文化的精华。
In Figure 36C, Mexico holds an arrow of Cupid filled with dark intent in his left hand and a sapling in his right hand, indicating that he wants to tell Chalchiuhtlicue that Turquoise Prince is God. Readers may wonder, did Mexicans know the Greek god of love seven hundred years ago? The ancient Mexican paintings editor I have seen have completely absorbed the essence of ancient Germanic culture, Greek culture, Sumerian culture, and Chinese culture.
