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Reading - anyone lived in a pretty how town by E. E. Cummings

(2012-04-17 08:51:48) 下一个

 

 

 

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn't he danced his did

Women and men(both little and small)
cared for anyone not at all
they sowed their isn't they reaped their same|
sun moon stars rain

children guessed(but only a few
and down they forgot as up they grew
autumn winter spring summer)
that noone loved him more by more

when by now and tree by leaf
she laughed his joy she cried his grief
bird by snow and stir by still
anyone's any was all to her

someones married their everyones
laughed their cryings and did their dance
(sleep wake hope and then)they
said their nevers they slept their dream

stars rain sun moon
(and only the snow can begin to explain
how children are apt to forget to remember
with up so floating many bells down)

one day anyone died i guess
(and noone stooped to kiss his face)
busy folk buried them side by side
little by little and was by was

all by all and deep by deep
and more by more they dream their sleep
noone and anyone earth by april
wish by spirit and if by yes.

Women and men(both dong and ding)
summer autumn winter spring
reaped their sowing and went their came
sun moon stars rain


http://www.encyclopedia.com/article-1G2-2280300012/anyone-lived-pretty-town.html

The poem "anyone lived in a pretty how town" is one of the most anthologized works by one of America's most anthologized poets, e. e. cummings. Cummings, one of America's leading modernist poets, was known for his experimentation with capitalization, punctuation, and syntax (the sequence of arranged words) in his work. By playing with these elements of language, cummings challenged the very nature and meaning of language, often resulting in new and surprising meanings. Additionally, cummings rarely titled his poems, perhaps wishing to avoid giving them any added meaning outside of their text. Thus, although his poems were often numbered, they became known by their first lines, as is the case with "anyone lived in a pretty how town." The poem is also characteristic of cummings's style, and due to the syntactical acrobatics in "anyone lived in a pretty how town," the poem can be read in several ways. On one level, it is about the inner self and the individual in conventional (i.e., conformist) society. On another level, it is a love story between a figure named Noone (No one) and a figure named Anyone. On yet another level, the poem is about the passage of time.

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POEM SUMMARY

Cummings's "anyone lived in a pretty how town" consists of nine four-line stanzas. The poem is predominantly written in tetrameter, or lines consisting of four feet (each foot represents one stressed syllable and one unstressed syllable).

Stanza 1

The first line of the poem, which is also the poem's title, introduces the character of Anyone and the picturesque village that he lives in. The next line mentions the sound of the bells that can often be heard in the town. Presumably this refers to church bells, which announce holidays, weddings, funerals, and other events that mark the passage of time and of individual lives. The third line lists the seasons, again underscoring the passage of time. The stanza's final line, which is a bit nonsensical, is meant to represent Anyone's exploits as he goes through life.

Stanza 2

The poem then mentions the other townspeople, stating that they do not concern themselves with Anyone. Instead, they go about conducting their small lives. The final line of this stanza mentions celestial bodies and precipitation, natural phenomena that, like the seasons, mark time as it passes.

Stanza 3

In the third stanza, a minority of the youngsters in the town have an inkling that Noone (who is first introduced in the final line of the stanza) is falling in love with Anyone. The children of the town, however, become less aware of those around them and more self-involved as they mature into adulthood. In the third line of the stanza, the list of the four seasons is repeated. Yet the order in which they appear has been changed. This change further emphasizes time and its passage.

Stanza 4

Mentioning trees and their leaves, as if to indicate that it is autumn (the first season mentioned in the list in the previous stanza), Noone's love for Anyone is expounded upon. She is happy when he is happy and sad when he is sad. The third line of the stanza perhaps indicates that the season has changed from autumn to winter. The stanza's final line once again underscores Noone's love for Anyone; anything related to him is of the utmost importance to her.

Stanza 5

Other people in the town, the Someones and the Everyones, wed and live together. They experience the happy and the sad moments of life. They rise in the morning and go to bed at night. They live out their lives in the rhythmic (and somewhat banal manner) in which lives are generally lived. The fourth and final line of this stanza implies that the townspeople die in much the same way as they have lived; i.e., as a matter of course.

MEDIA ADAPTATIONS

  • A short film adaptation, given the same title as the poem, was directed by George Lucas in 1967. The independent film was written by Lucas and Paul Golding.

Stanza 6

Stanza 6 opens with the aforementioned list of celestial bodies. The order, like the repeated list of the seasons, has been rearranged. In this instance, the changed order suggests that time has moved from day to night. This is reinforced by the second line of the stanza and the mention of winter. Only the winter (i.e., the passage of time) can address why children grow up and are no longer able to see the small mysteries of life around them. The second line of the first stanza, which refers to the bells heard throughout the town, is repeated. Indeed, this stanza mentions children as they grow up and then links this to the church bells that ring to signify the events that mark the rhythms of life, such as birth, marriage, and death.

Stanza 7

Anyone dies and Noone mourns him. She, too, eventually dies, which is implied by the statement that they are buried beside each other. In a nod to the fact that life goes on, …

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