I feel that this award was not made to me as a man, but to
my work - a life's work in the agony and sweat of the human spirit, not for
glory and least of all for profit, but to create out of the materials of the
human spirit something which did not exist before. So this award is only mine
in trust. It will not be difficult to find a dedication for the money part of
it commensurate with the purpose and significance of its origin. But I would
like to do the same with the acclaim too, by using this moment as a pinnacle
from which I might be listened to by the young men and women already dedicated
to the same anguish and travail, among whom is already that one who will some
day stand here where I am standing.
Our tragedy today is a general and universal physical fear so long sustained by
now that we can even bear it. There are no longer problems of the spirit. There
is only the question: When will I be blown up? Because of this, the young man or
woman writing today has forgotten the problems of the human heart in conflict
with itself which alone can make good writing because only that is worth
writing about, worth the agony and the sweat.
He must learn them again. He must teach himself that the basest of all things
is to be afraid; and, teaching himself that, forget it forever, leaving no room
in his workshop for anything but the old verities and truths of the heart, the
old universal truths lacking which any story is ephemeral and doomed - love and
honor and pity and pride and compassion and sacrifice. Until he does so, he
labors under a curse. He writes not of love but of lust, of defeats in which
nobody loses anything of value, of victories without hope and, worst of all,
without pity or compassion. His griefs grieve on no universal bones, leaving no
scars. He writes not of the heart but of the glands.
Until he relearns these things, he will write as though he stood among and
watched the end of man. I decline to accept the end of man. It is easy enough
to say that man is immortal simply because he will endure: that when the last
dingdong of doom has clanged and faded from the last worthless rock hanging
tideless in the last red and dying evening, that even then there will still be
one more sound: that of his puny inexhaustible voice, still talking. I refuse
to accept this. I believe that man will not merely endure: he will prevail. He
is immortal, not because he alone among creatures has an inexhaustible voice,
but because he has a soul, a spirit capable of compassion and sacrifice and
endurance. The poet's, the writer's, duty is to write about these things. It is
his privilege to help man endure by lifting his heart, by reminding him of the
courage and honor and hope and pride and compassion and pity and sacrifice
which have been the glory of his past. The poet's voice need not merely be the
record of man, it can be one of the props, the pillars to help him endure and
prevail.