Ｇrieg Ｈolberg Ｓuite 格里格的霍尔贝组曲（钢琴版）

 

Statue of Holberg in Bergen, Norway












Holberg Suite, Op. 40 more properly "From Holberg's Time", (German: Aus Holbergs Zeit, Norwegian: Fra Holbergs tid), subtitled "Suite in olden style" (Norwegian: Suite i gammel stil, German: Suite im alten Style), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Danish-Norwegian humanist playwright Ludvig Holberg.

It is an example of a piece of nineteenth century music which makes use of musical styles and forms from the preceding century. It can be compared with Franz Liszt's À la Chapelle Sixtine, S.360 (1862) and contrasted with later neoclassical works.

This suite is not as famous as the incidental music from Peer Gynt, which is usually performed as arranged in a pair of suites itself, but many critics see them as equal.^[1] The movements of the suite are:

1. Praeludium (Allegro vivace)
2. Sarabande (Andante)
3. Gavotte (Allegretto)
4. Air (Andante religioso)
5. Rigaudon (Allegro con brio)

The suite was originally composed for the piano, and a year later it was adapted for string orchestra. The Suite consists of an introduction and a set of dances. It is a charming, early essay in neo-classicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's time. After the vigorgous opening Prelude, Allegro Vivace, comes a stately Sarabande, Andante. Next is a graceful Gavotte, Allegretto, with a droning Musette as its middle section. This is followed by a lyrical Air, Andante Religioso, and the Suite then closes with a high-spirited Provencal dance, a Rigaudon, Allegro Con Brio

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Ludvig Holberg, Baron of Holberg (December 3, 1684 – January 28, 1754) was a writer, essayist, philosopher, historian and playwright born in Bergen, Norway, during the time of the Dano-Norwegian double monarchy, who spent most of his adult life in Denmark. He was influenced by Humanism, the Enlightenment and the Baroque. Holberg is considered the founder of modern Danish and Norwegian literature,^[1][2] and is best known for the comedies he wrote in 1722–1723 for the theatre in Lille Grønnegade in Copenhagen. Holberg's works about natural and common law were widely read by many Danish law students over two hundred years, from 1736 to 1936