电影《摩托日记The Motorcycle Diaries 》（2004）

最近看得一部电影， 一直很着迷Che的人格， Che，那时才24岁，  一个身体很弱的，出生在中产家庭医学院学生，另一位Alberto 很喜欢惹女孩的， 两人进行 一次不同寻常的摩托车南美大陆旅游，特别是与秘鲁的深山贫民，矿工接触后，还有护理麻风病人， 两个人走向不同的道路，前者跟随自己的信念直到被CIA击毙；另一位选择正常生活， 结婚， 孩子三个， 当Alberto老年的时候，他以怀念他和Che曾记得那一段激情出游的时光。

Che 被誉为我们时代最完美的人， 他是一个勇于挑战的人，挑战自己身体极限， 挑战我们的社会到底能帮穷人多少？什么是合理的社会？  他的方法最后还是失败了， 却给后人留下了一种理想和精神，法国一个剧院正在演出一部有关Che的话剧。 法国人是很敬仰理想主义者， 如中国的毛泽东，和南美的Che。 在某种意义Che是失败了，因为他的主张， 主义没有得到继续， 可是他至少为自己的理想活着，为民族和南美人献身奋斗。 哈佛牧师把自己的遗产先造就了今日的哈佛，Che他用热血和生命激励后人为理想活着为穷人办事， 不过他也被描述成侩子手。

里面的音乐很好听，特别是那段探戈和Ramba。 南美的景色也很美



很美的音乐， Che年轻的时候也爱过


在麻风病村护理病人



非常让人伤感的结尾...


The Motorcycle Diaries 

The end of 1951,a young man who’s name is Che Guevara and his friend Alberto ride a dilapidated ride,started their second roaming Latin American trip. During the trip ,Che Guevara from an idealist ,has grown into an initial communist ideology of revolutionary soldier. The motorcycle diary in the film cut travel diary as a clue, repeat them in hard and romantic journey.

This film screen time is in 2004, but the real time is in 1952.The movie which is according to the protagonist’s past records in a period of diary of experiences to filming. The movie is through this a diary of time and distance length as rhythm to edit sequences, with flashbacks montage technique to shoot. At first, Begin with the whole of diary as the main line, to describe the story of a motorcycle trip from the starting with their families farewell until they went to different place and go through the journey, last trip over their respective began his another kind of life. And then took it all these years later two people live a what kind of life and their memories of that thing.  

I think this movie conform more a mixture editing. At frist, this movie is based on a real movie an adaptation, the story of the prototype from a hero's diary, have certain documentary properties and authenticity, belong to realism movies. Second, this movie was filmed by actress, even if the story is true, also do not have documentary idiosyncratic, but contains documentary properties, so I can only say this is with a per qualitative dramas. Third, the protagonist's travel full of adventure plot, let a person feel adventure and excitement, also can turn it is classified as adventure film. To sum up, this movie was a documentary properties adventure dramas, also can explain this movie conform more a mixture editing.

This is not a moving story, but two people's part of life - Che guevara and his friend Alberto lattice rana, in those moments, they for the common hopes and dreams in their journey forward courageously. In four months, with a tranquil way, through them in books I know in Latin America, This difficult journey through life, we should pursue it.

http://i.mtime.com/bless0one0day/blog/5686379/

The Motorcycle Diaries (Spanish: Diarios de motocicleta) is a 2004 biopic about the journey and written memoir of the 23-year-old Ernesto Guevara, who would years later become internationally known as the iconic Marxist revolutionary Che Guevara. The film recounts the 1952 journey, initially by motorcycle, across South America by Guevara and his friend Alberto Granado. As the adventure centered around youthful hedonism unfolds, Guevara discovers himself transformed by his observations of the life of the impoverished indigenous peasantry. The road presents Ernesto Guevara and Alberto Granado a genuine picture of the Latin American identity. Through the characters they encounter on the road, Guevara and Granado learn the injustices the impoverished face and are exposed to people they would have never encountered in their hometown. The trip serves to expose a Latin American identity as well as explore the identity of one of its most memorable revolutionaries.

The screenplay is based primarily on Guevara's travelogue The Motorcycle Diaries by Ernesto "Che" Guevara, with additional context supplied by Travelling with Che Guevara: The Making of a Revolutionary by Alberto Granado. Guevara is played by Mexican actor Gael García Bernal, and Granado by the Argentine actor Rodrigo de la Serna, who is a second cousin to Che Guevara on his maternal side.^[1] Directed by Brazilian director Walter Salles and written by Puerto Rican playwright José Rivera, the film was an international co-production among production companies from Argentina, the United States, Germany, the United Kingdom, Chile, Peru and France. The film's executive producers were Robert Redford, Paul Webster, and Rebecca Yeldham; the producers were Edgard Tenenbaum, Michael Nozik, and Karen Tenkoff; and the co-producers were Daniel Burman and Diego Dubcovsky.

（wiki）