采访年轻的委维瑞拉-阿根廷钢琴家Sergio Tiempo

Sergio Tiempo说话那么哲学家似的，他说：音乐对他来说就是一个游戏，属于他自己的游戏，在音乐会的表演简直就像是在观众面前作自我心理分析 Psychanalyse，  他年纪那么轻，看事那么透。

他谈了职业，爱情，他甚至说每天我们都在面临选择，就像选择爱一样，我们的选那位我们天天想要爱的，尽管很可能总是哪一位人

现在我越来越觉得每个人的独立思考是多么重要和有趣啊，很多时候我们还没想就下结论了，



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Sergio Tiempo (born February 24, 1972) is a Venezuelan-Argentine classical pianist. He has studied under some of the best known pianists.

Born in Caracas, Venezuela, Sergio Tiempo began playing the piano as an infant. His first teacher was his mother, Lyl Tiempo, who began teaching him before he turned three. He achieved early acclaim by appearing on Argentine televisions when he was four years old and gave concerts in London and France at age seven.

In 1980, at age eight, he received special recognition at the Ealing Music Festival. In 1986, he was awarded the Alex De Vries prize. That same year, a live recording of his performance at his Concertgebouw recital was released.

His list of teachers has included Tessa Nicholson, Maria Curcio, Pierre Sancan, Michel Beroff, Jacques Detiege, Alan Weiss and Nelson Freire. He has also attended the International Piano Academy Lake Como, where he worked with Dimitri Bashkirov, Fou Ts'ong, Murray Perahia and Dietrich Fischer-Dieskau. He has also been taught by and performed with Martha Argerich. Argerich remains one of his staunchest supporters.

Since his emergence in 1986, Tiempo has performed and recorded regularly all over the world. His tours have included frequent trips to Japan, recitals in many of the greatest European concert halls, and performances in numerous North American cities. He frequently participates in music festivals, including the Progetto Martha Argerich, where he performs every year. He also performs regularly with his sister, pianist Karin Lechner. Among his most significant chamber-music collaborations are recordings and performances with the cellist Mischa Maisky, whose daughter, a concert pianist, has studied piano with Tiempo's mother.

He has recorded several collections of classical music, and has received particular praise for his interpretation of the Gaspard de la Nuit by Ravel and his versions of the Chopin Preludes