Wunδεrλusτ
The Road Not Taken
正文
Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
Background
The inspiration for it (The Road Not Taken) came from Frost’s amusement over a familiar mannerism of his closest friend in England, Edward Thomas. While living in Gloucestershire in 1914, Frost frequently took long walks with Thomas through the countryside. Repeatedly Thomas would choose a route which might enable him to show his American friend a rare plant or a special vista; but it often happened that before the end of such a walk Thomas would regret the choice he had made and would sigh over what he might have shown Frost if they had taken a "better" direction. More than once, on such occasions, the New Englander had teased his Welsh-English friend for those wasted regrets. Disciplined by the austere biblical notion that a man, having put his hand to the plow, should not look back, Frost found something quaintly romantic in sighing over what might have been. Such a course of action was a road never taken by Frost, a road he had been taught to avoid. In a reminiscent mood, not very long after his return to America as a successful, newly discovered poet, Frost pretended to "carry himself" in the manner of Edward Thomas just long enough to write "The Road Not Taken". Immediately, he sent a manuscript copy of the poem to Thomas, without comment, and yet with the expectation that his friend would notice how the poem pivots ironically on the un-Frostian phase, "I shall be telling this with a sigh". As it turned out Frost’s expectations were disappointed. Thomas missed the gentle jest because the irony had been handled too slyly, too subtly.
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth.
Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same.
And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.
I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I--
I took the one less traveled by,
And that has made all the difference.
Background
The inspiration for it (The Road Not Taken) came from Frost’s amusement over a familiar mannerism of his closest friend in England, Edward Thomas. While living in Gloucestershire in 1914, Frost frequently took long walks with Thomas through the countryside. Repeatedly Thomas would choose a route which might enable him to show his American friend a rare plant or a special vista; but it often happened that before the end of such a walk Thomas would regret the choice he had made and would sigh over what he might have shown Frost if they had taken a "better" direction. More than once, on such occasions, the New Englander had teased his Welsh-English friend for those wasted regrets. Disciplined by the austere biblical notion that a man, having put his hand to the plow, should not look back, Frost found something quaintly romantic in sighing over what might have been. Such a course of action was a road never taken by Frost, a road he had been taught to avoid. In a reminiscent mood, not very long after his return to America as a successful, newly discovered poet, Frost pretended to "carry himself" in the manner of Edward Thomas just long enough to write "The Road Not Taken". Immediately, he sent a manuscript copy of the poem to Thomas, without comment, and yet with the expectation that his friend would notice how the poem pivots ironically on the un-Frostian phase, "I shall be telling this with a sigh". As it turned out Frost’s expectations were disappointed. Thomas missed the gentle jest because the irony had been handled too slyly, too subtly.
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