Food for the soul---贝多芬第29号钢琴奏鸣曲第三乐章

连听几遍里赫特大师弹奏的第三乐章后,觉得还不过瘾.尽管他的sonority非常出色,很具沉重和深刻感, 但少了一些momentum.

这里有另两位大师的弹奏:Walter Gieseking和Emily Gilels.
I prefer these two interpretations. Both play with a stronger sense of direction. And express sadness without drowning in thick mud; emotionally more compelling and convincing.
These two performances make me appreciate further the emotional depth of this movement.

From wikipedia:
The sonata-form slow movement, centred on F-sharp minor, has been called, among other things, a "mausoleum of collective sorrow" and is notable for its ethereality and great length as a slow movement. Paul Bekker called the movement "the apotheosis of pain, of that deep sorrow for which there is no remedy... the immeasurable stillness of utter woe".Wilhelm Kempff described it as "the most magnificent monologue Beethoven ever wrote".




再加一个Kempff大师的版本.他阐述的层次清楚转承天衣无缝.
In the midst of unspeakable sadness, a ray of hope emerges. But then doubt sets in just as quickly.
Only after further struggle, the hope theme is allowed to develop.
The entanglement between despair and longing. Kempff's narration is just masterful.
I am convinced that this movement foreshadows the arrival of Op 111, intentionally.
听完一圈,心里释然.



再追加一个英国大师Solomon Cutney的版本. 他的老师是Clara Schumann的学生.大家都用Soloman称呼他. 他的阐述是娓娓道来,化了二十多分钟,是几个版本中最长的.即使如此,他没有lose any momentum.
所以音乐的momentum和弹得快慢没关系,和弹奏者的方向感更具关系.
点击这里: Solomon版本