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艺术是美,宗教是善,二者是平行关系,都属于上层建筑...
为什么非要说是三层楼,好似高处不胜寒,令人望而生畏...
民族解放 发表评论于 2015-05-06 21:31:18 丰子恺说这...
丰子恺说这话,表明他思想高度还是不够。 科学和艺术...
非常好的文章。自己一直住在一层楼,只是从那里去观察...
Good article
同感, 谢分享!
http://passport.wenxuecity.com/myblog/62241/201502...
非常喜欢你的博客,我很喜欢美术,在你的博客里见到了...
Thanks for posting this great series. I enjoyed ve...
Andrew Graham-Dixon shows how the art of Renaissance Flanders evolved from the craft of precious tapestries within the Duchy of Burgundy into a leading painting school in its own right. Starting his journey at the magnificent altarpiece of Ghent Cathedral created by the Van Eyck brothers, Andrew explains their groundbreaking innovation in oil painting and marvels at how the colours they obtained can still remain so vibrant today.Andrew describes how, in the early Renaissance, the most urgent preoccupation was not the advancement of learning, humanist or otherwise, but the Last Judgment. People believed they were living in the end of days; a subject popular with preachers and artists and intensely realised in swarming microscopic detail by Hieronymus Bosch.The High Art of the Low Countries - Episode 1: Dream of Plenty (BBC Documentary)