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Pretty Woman, was released in 1964, which was a worldwide hit for Roy Orbison. The song was written by Roy Orbison and Bill Dees. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners like me. Orbison was a powerful influence on contemporaries such as The Beatles and The Rolling Stones. In 1963, he headlined a European tour with Th e Beatles. He became lifelong friends with the band, especially John Lennon and George Harrison.
Roy Orbison's music—whether heard in his own recordings or in cover versions of his songs—is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s.
"You Got It"
Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time.
"Blue Bayou"
Pretty woman, walking down the street
Pretty woman, the kind I like to meet
Pretty woman
I don't believe you, you're not the truth
No one could look as good as you
Mercy
Pretty woman, won't you pardon me
Pretty woman, I couldn't help see
Pretty woman
That you look lovely as can be
Are you lonely just like me
Wow
Pretty woman, stop a while
Pretty woman, talk a while
Pretty woman, gave your smile to me
Pretty woman, yeah yeah yeah
Pretty woman, look my way
Pretty woman, say you'll stay with me
'Cause I need you, I'll treat you right
Come with me baby, be mine tonight
Pretty woman, don't walk on by
Pretty woman, don't make me cry
Pretty woman, don't walk away, hey...okay
If that's the way it must be, okay
I guess I'll go on home, it's late
There'll be tomorrow nigh, but wait
What do I see
Is she walking back to me
Yeah, she's walking back to me
Oh, oh, Pretty woman
Roy Orbison's music—whether heard in his own recordings or in cover versions of his songs—is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s.
"You Got It"
Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time.
"Blue Bayou"
Pretty woman, walking down the street
Pretty woman, the kind I like to meet
Pretty woman
I don't believe you, you're not the truth
No one could look as good as you
Mercy
Pretty woman, won't you pardon me
Pretty woman, I couldn't help see
Pretty woman
That you look lovely as can be
Are you lonely just like me
Wow
Pretty woman, stop a while
Pretty woman, talk a while
Pretty woman, gave your smile to me
Pretty woman, yeah yeah yeah
Pretty woman, look my way
Pretty woman, say you'll stay with me
'Cause I need you, I'll treat you right
Come with me baby, be mine tonight
Pretty woman, don't walk on by
Pretty woman, don't make me cry
Pretty woman, don't walk away, hey...okay
If that's the way it must be, okay
I guess I'll go on home, it's late
There'll be tomorrow nigh, but wait
What do I see
Is she walking back to me
Yeah, she's walking back to me
Oh, oh, Pretty woman
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