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Serenade
From Wikipedia, the free encyclopedia
In music, a serenade (or sometimes serenata) is, in its most general sense, a musical composition, and/or performance, in someone's honor. There are three general categories of serenade in music history.
1) In the oldest usage, which survives in informal form to the present day, a serenade is a composition performed for a lover, friend, or other person to be honored, typically in the evening and often below a window. The custom of serenading in this manner began in the Medieval era or Renaissance, and the word "serenade" as commonly used in current English is related to this custom. Music performed followed no one particular form, except that it was typically sung by one person accompanying himself on a portable instrument, for example a flute or guitar. Works of this type also appeared in later eras, but usually in a context that referred specifically to a past time, such as an arias in an opera (there is a famous example in Mozart's Don Giovanni).
2) In the Baroque era, and generally called a Serenata (Italian "serenade"--since this form occurred most frequently in Italy), a serenade was a type of cantata performed outdoors, in the evening, with mixed vocal and instrumental forces. Some composers of this type of serenade include Alessandro Stradella, Alessandro Scarlatti, Johann Joseph Fux, Johann Mattheson, and Antonio Caldara. Usually these were large-scale works performed with minimal staging, intermediate between a cantata and an opera. According to some commentators, the main difference between a cantata and a serenata, around 1700, was that the serenata was performed outdoors and therefore could use instruments which would be too loud in a small room--for example trumpets, horns and drums.
3) The most important and prevalent type of serenade in music history is a work for large instrumental ensemble in multiple movements, related to the divertimento, and mainly being composed in the Classical and Romantic periods, though a few examples exist from the 20th century. Usually the character of the work is lighter than other multiple-movement works for large ensemble (for example the symphony), with tunefulness being more important than thematic development or dramatic intensity. Most of these works are from Italy, Germany, Austria and Bohemia.
The most famous examples of the serenade from the 18th century are undoubtedly the ones by Mozart, which are works in more than four movements, and sometimes as many as ten. The most typical ensemble for a serenade was a wind ensemble augmented with basses and violas: instrumentalists who could stand, since the works were often performed outdoors. Frequently the serenades began and ended with movements of a marchlike character--since the instrumentalists often had to march to and from the place of performance. Famous serenades by Mozart include the Haffner Serenade (which he later reworked as the Haffner Symphony, no. 35), and one of his most famous works, Eine Kleine Nachtmusik, which is atypical for only containing string instruments.
By the 19th century, the serenade had transformed into a concert work, less associated with outdoor performance for honorary occasions, and composers began to write serenades for other ensembles. The two serenades by Brahms are rather like light symphonies, except that they use an ensemble Mozart would have recognized: a small orchestra (in the case of the Serenade No.2, an orchestra entirely without violins). Dvořák, Tchaikovsky, Josef Suk and others wrote serenades for strings only, as did Hugo Wolf, who wrote one for string quartet (the Italian Serenade). Other composers to write serenades in a Romantic style include Richard Strauss, Max Reger, Edward Elgar and Jean Sibelius.
Some examples of serenades in the 20th century include the Serenade for Tenor, Horn and Strings by Benjamin Britten, the Serenade for piano by Stravinsky, Serenade for baritone and septet Op. 24 by Arnold Schoenberg, and the movement entitled "Serenade" in Shostakovich's last string quartet, No. 15 (1974). A 21st century example is Nigel Keay's Serenade for Strings composed in 2002.
Sources
- The New Harvard Dictionary of Music, ed. Don Randel. Cambridge, Massachusetts, Harvard University Press, 1986. ISBN 0-674-61525-5
- Articles "Wolfgang Amadeus Mozart", "Serenade," "Serenata," in The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. ISBN 1-56159-174-2
My pleasure. Thank you very much for letting me know.
You too have a good one!
Thanks for the useful info and beautiful music. I added the pretty pic into The Last Waltz. Thank you very much.
Good night and nice week,
Rebecca
The Last Waltz
http://blog.wenxuecity.com/blogview.php?date=200709&postID=2336
me·di·e·val also me·di·ae·val (md-vl, md-, m-dvl)
adj. also Medieval
1. Relating or belonging to the Middle Ages.
2. Informal Old-fashioned; unenlightened: parents with a medieval attitude toward dating.
[From New Latin medium aevum, the middle age : Latin, neuter of medius, middle; see medhyo- in Indo-European roots + Latin aevum, age; see aiw- in Indo-European roots.]
medi·eval·ly adv.
Thesaurus
Adj. 1. medieval - relating to or belonging to the Middle Ages; "Medieval scholars"; "Medieval times"
mediaeval
2. medieval - as if belonging to the Middle Ages; old-fashioned and unenlightened; "a medieval attitude toward dating"
mediaeval, gothic
nonmodern - not modern; of or characteristic of an earlier time
3. medieval - characteristic of the time of chivalry and knighthood in the Middle Ages; "chivalric rites"; "the knightly years"
chivalric, knightly
past - earlier than the present time; no longer current; "time past"; "his youth is past"; "this past Thursday"; "the past year"
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Dictionary
ba·roque (b-rk)
adj.
1. also Baroque Of, relating to, or characteristic of a style in art and architecture developed in Europe from the early 17th to mid-18th century, emphasizing dramatic, often strained effect and typified by bold, curving forms, elaborate ornamentation, and overall balance of disparate parts.
2. also Baroque Music Of, relating to, or characteristic of a style of composition that flourished in Europe from about 1600 to 1750, marked by expressive dissonance and elaborate ornamentation.
3. Extravagant, complex, or bizarre, especially in ornamentation: "the baroque, encoded language of post-structural legal and literary theory" Wendy Kaminer.
4. Irregular in shape: baroque pearls.
n. also Baroque
The baroque style or period in art, architecture, or music.
Thesaurus
Noun 1. Baroque - the historic period from about 1600 until 1750 when the baroque style of art, architecture, and music flourished in Europe
Baroque era, Baroque period
2. baroque - elaborate and extensive ornamentation in decorative art and architecture that flourished in Europe in the 17th century
baroqueness
artistic style, idiom - the style of a particular artist or school or movement; "an imaginative orchestral idiom"
Adj. 1. baroque - having elaborate symmetrical ornamentation; "the building...frantically baroque"-William Dean Howells
churrigueresco, churrigueresque
fancy - not plain; decorative or ornamented; "fancy handwriting"; "fancy clothes"
2. Baroque - of or relating to or characteristic of the elaborately ornamented style of architecture, art, and music popular in Europe between 1600 and 1750