Forjustnineweeks,inlate1888,VanGoghandGauguinshareahome,TheYellowHouse,inArles,southernFrance.
Approachingmiddleageandstillflatbroke,bothmenabandonrespectability,familyandfriendstocommitthemselvesutterlytopainting,unitedbyanunshakablebeliefintheimportanceofart.
Theyendurewhatmostpeoplewouldfindintolerable-loneliness,insecurity,andthetotallackofanyfinancialorworldlycomfort.Theirlasthop...[
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GermanExpressionismreferstoanumberofrelatedcreativemovementsbeginninginGermanybeforetheFirstWorldWarthatreachedapeakinBerlin,duringthe1920s.ThesedevelopmentsinGermanywerepartofalargerExpressionistmovementinnorthandcentralEuropeancultureinfieldssuchasarchitecture,paintingandcinema.GermanExpressionistpaintingproducedagreatnumberofworks,andledtoNeo-expressionism.[
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IlcastellodiBentheim(JacobVanRuisdael).NationalGalleryIreland
雅各布·伊萨克松·范勒伊斯达尔(JacobIsaakszoonvanRuisdael[或拼作Ruysdael],约1628年-1682年3月14日)是著名的荷兰风景画家。生平范勒伊斯达尔出生于荷兰南部的哈勒姆,父亲和叔父都是风景画家,他可能还向其他画家学习过,他的油画和蚀刻版画作品最早出现于1645年,1648年他就被当地的画家同业公会吸收为成员,1659[
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PresentedbyDr.MarkEvans,seniorcuratorofpaintingsattheVictoriaandAlbertMuseum
ThislecturecontrastsJohnConstable'sideasonthehistoryoflandscapepainting,asrevealedbylectureshegavein1833and1836,withcritics'shockedresponsestohisapparentlackoffinishanddisregardforformaldecorum.ItsurveysConstable'sposthumousinternationalcelebrityasaprecursoroftheImpressionists,orevenaprophetofphotography(thedague...[
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ismoretoTurnerthanhissublimelandscapes-healsopaintedmachines,science,technologyandindustry.Turner'slifespanstheIndustrialRevolution,hewitnesseditasitunfoldedandhepaintedit.Intheprocesshecreatedawholenewkindofart.TheprogrammeexaminesninekeyTurnerpaintingsandshowshowweshouldre-thinktheminthelightofthescientificandIndustrialRevolution.IncludesinterviewswithhistorianSimonSchamaandartistTraceyEmin...[
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