dig it up "Psalms 92: Rev. Stonehall "Rules. Orders = survival. You can't live alone, in your own house, far from the town." "
陇山陇西郡
宁静纯我心 感得事物人 写朴实清新. 闲书闲话养闲心,闲笔闲写记闲人;人生无虞懂珍惜，以沫相濡字字真。
正文
Year of 1666: 3 months of sea traveling harbored on Masachusetts Harbor.
Psalms 92:
Rev. Stonehall "Rules. Orders = survival. You can't live alone, in your own house, far from the town."
"Everybody must find his own niche—find and build his own house." the character Major Dunsmuir is portrayed by actor Malcolm Storry "I'm tired of being in a town of a sea of Yay-saying folks. "
"Faith. Prudence!" "Hester Prynne" (Demi Moore)
"Arthur Dimmesdale"—the" town's handsome minister (Gary Oldman; <<Dracula>>)
Wife: "Hester Prynne" (Demi Moore)
Husband: "Roger Prynne" -by Robert Duvall;
"Mituba" (black girl): survant
"Harriet Hibbons" (be called witch"): who was the mid-wife helping the delivery of Pearl.
"Pearl": witch's birth mark on belly
Fiction, argument, and denials are all Satan's work!
shout in Algonquin
John Bellingham (U.K. governor; by Edward Hardwicke) will do anything to conceal this madness from England.
@1:15:16 "I baptize this Child, Pearl. In the name of Father, Son, and the Holy Ghost spirit. May the Lord bless thee, care for thee, and watch over thee; In Jesus name, Amen."
@2:07:22 Demi Moore: "A, this letter got purpose. Why should we stay here to be tamed by them?"
"There is no perfect world. Hester."
"No. We came here to make a new world. For our child, Pearl sake, I must just that."
"Hester, look at me."
"If I look at you, I won't be able to leave."
"Then, leave. Brave the wilds. God, leave without me."
In the faraway Carolina, my parents found a measure of the happiness that has been denied them for so long. My father died before my teens. My mother never re-married, nor loved others. Who is to say, What is a sin in God's eyes?"
***
ChatGPT said:
ChatGPT
In the 1995 film adaptation of The Scarlet Letter, the character Reverend Stonehall emphasizes the importance of communal living and adherence to societal rules for survival in the New World. His statement, "Rules. Orders = survival. You can't live alone, in your own house, far from the town," reflects the Puritan belief that strict conformity and close-knit community life are essential for maintaining order and ensuring the well-being of all members.
This perspective is rooted in the challenges faced by early settlers, where isolation could lead to vulnerability and danger. By invoking Psalm 92, which speaks of the flourishing of the righteous within the house of the Lord, Reverend Stonehall underscores the idea that spiritual and physical prosperity are achieved through unity and obedience to divine and communal laws.
Hester Prynne's desire to live independently challenges these norms, highlighting her resistance to societal constraints and her pursuit of personal freedom. Her actions and the subsequent reactions from figures like Reverend Stonehall illustrate the tension between individual autonomy and communal expectations in Puritan society.
For a visual representation of these themes, you might find the following scene from the film insightful:
You said:
By invoking Psalm 92, which speaks of the flourishing of the righteous within the house of the Lord, . list Psalm 92, not what you said
ChatGPT said:
ChatGPT
Here is Psalm 92 from the Bible (King James Version):
Psalm 92
- It is a good thing to give thanks unto the Lord, and to sing praises unto thy name, O Most High:
- To shew forth thy lovingkindness in the morning, and thy faithfulness every night,
- Upon an instrument of ten strings, and upon the psaltery; upon the harp with a solemn sound.
- For thou, Lord, hast made me glad through thy work: I will triumph in the works of thy hands.
- O Lord, how great are thy works! and thy thoughts are very deep.
- A brutish man knoweth not; neither doth a fool understand this.
- When the wicked spring as the grass, and when all the workers of iniquity do flourish; it is that they shall be destroyed for ever:
- But thou, Lord, art most high for evermore.
- For, lo, thine enemies, O Lord, for, lo, thine enemies shall perish; all the workers of iniquity shall be scattered.
- But my horn shalt thou exalt like the horn of an unicorn: I shall be anointed with fresh oil.
- Mine eye also shall see my desire on mine enemies, and mine ears shall hear my desire of the wicked that rise up against me.
- The righteous shall flourish like the palm tree: he shall grow like a cedar in Lebanon.
- Those that be planted in the house of the Lord shall flourish in the courts of our God.
- They shall still bring forth fruit in old age; they shall be fat and flourishing;
- To shew that the Lord is upright: he is my rock, and there is no unrighteousness in him.
Would you like a comparison to how this psalm might relate to the themes or dialogue of The Scarlet Letter?
**
here's a thematic breakdown and extrapolated list for viewers:
Themes and Topics
-
Forbidden Love and Adultery
- Central focus on the illicit romance between Hester Prynne and the minister, Arthur Dimmesdale.
- The consequences of passion in a judgmental, puritanical society.
-
Sin, Guilt, and Redemption
- Hester's journey wearing the scarlet letter "A" as a symbol of sin and shame.
- Dimmesdale's internal torment and attempts at redemption.
-
Female Empowerment and Defiance
- Hester's resilience in the face of societal condemnation.
- Her determination to create a better world for herself and her daughter, Pearl.
-
Religious Hypocrisy and Control
- The church's influence over personal lives.
- The portrayal of religious authorities as flawed and often oppressive.
-
Social Judgment and Isolation
- The town's scorn towards Hester and Pearl.
- The role of public branding as a tool of societal control.
-
Cultural and Racial Dynamics
- The inclusion of Mituba (a black servant) and her interactions in a racially and socially stratified society.
- Harriet Hibbons' persecution as a midwife accused of witchcraft, reflecting gender and class biases.
Key Characters and Dynamics
- Hester Prynne (Demi Moore): A symbol of strength, defiance, and maternal devotion.
- Arthur Dimmesdale (Gary Oldman): The conflicted minister torn between his love for Hester and his religious obligations.
- Roger Prynne (Robert Duvall): Hester's vengeful husband, embodying betrayal and obsession.
- Pearl: Hester and Arthur's daughter, seen as both a blessing and a symbol of sin.
- Harriet Hibbons: A midwife and alleged witch, highlighting the era's fear and persecution of independent women.
Notable Scenes and Quotes
-
The Baptism Scene (@1:15:16):
- "I baptize this Child, Pearl, in the name of the Father, Son, and the Holy Ghost spirit."
- Symbolizes hope, despite the surrounding condemnation.
-
Hester's Declaration (@2:07:22):
- "This letter got purpose. Why should we stay here to be tamed by them?"
- Highlights Hester's resolve to find freedom and meaning despite adversity.
-
Arthur's Farewell:
- "Brave the wilds. God, leave without me."
- Showcases the tragic, sacrificial love between Hester and Arthur.
Viewer Takeaways
- Emotional Depth: The story explores deep emotional struggles, societal judgment, and the human capacity for love and forgiveness.
- Social Commentary: Offers a critique of puritanical values and the oppressive structures of the time.
- Cinematic Appeal: With a stellar cast and intense performances, this adaptation brings new life to a timeless classic.
Would you like additional details or a thematic poster idea based on this breakdown?
****
"I'm tired of being in a town of a sea of Yay-saying folks. " "Faith. Prudence!" "Hester Prynne" (Demi Moore). why so?
ChatGPT said:
ChatGPT
The line "I'm tired of being in a town of a sea of Yay-saying folks", spoken by Hester Prynne (Demi Moore) in The Scarlet Letter, reflects her frustration with the conformist and judgmental nature of the Puritan society she inhabits. The Puritans are portrayed as rigidly adhering to their faith, often using it as a tool for control and ostracism. Their collective "yay-saying" attitude symbolizes their blind acceptance of societal norms and oppressive moral codes, leaving no room for individuality, dissent, or compassion.
When she follows up with "Faith. Prudence!", she could be addressing individuals by name (common Puritan names) or sarcastically invoking virtues ironically absent in her community. Hester’s tone likely reflects her exasperation with the lack of true faith and prudence among the townsfolk, as their actions often contradict these ideals.
Would you like further analysis of this scene or its thematic implications?
***
Sexy Demi Moore heats up this powerfully sensual story of illicit love! Hester Prynne (Moore) engages in a risky and scandalous affair with her town's handsome minister (Gary Oldman) during a time when adultery is punishable by death.
But when their secret passion results in a child, Hester is confronted with the town's overwhelming scorn... and is condemned to forever wear the scarlet letter "A" as a public brand of shame!
A highly provocative retelling of the classic tale of forbidden love, The Scarlet Letter combines a sizzling story with exciting stars and delivers must-see entertainment!
Release date: 1995
Running time: 2:15:58
Audio
English
Subtitle
English [CC]
Actors
Lisa Jolliff-Andoh; Roy DotriceMalcolm StorryJim Bearden; Larissa Lapchinski; Amy Wright; George Aguilar; Tim Woodward; Joan Gregson; Dana Ivey; Diane Salinger; Jocelyn Cunningham; Francie Swift; Sheldon Peters Wolfchild; Eric Schweig; Kristin Fairlie; Sarah Campbell; Judd JonesAnthony Paton; Marguerite McNeilKennetch CharletteDeborah Tennant; Kateri Walker; Shaun R. Clarke;
"It is 1667 in the Massachusetts Bay Colony, and an uneasy truce exists between local Puritans and their neighbors, the Algonquian."
Bruce Willis' young daughters, Tallulah and Scout, play the infant child Pearl and the toddler Pearl. You're welcome.
Director
Writing Credits (WGA)
| Nathaniel Hawthorne | ... | (novel) |
| Douglas Day Stewart | ... | (screenplay) |
Producers
Genres: Drama
Provider
Rating: R
***
- Born
- Died
- Birth name Nathaniel Hathorne
- Nathaniel Hawthorne was an American novelist, dark romantic, and short story writer. His works often focus on history, morality, and religion.He was born in 1804 in Salem, Massachusetts, from a family long associated with that town. Hawthorne entered Bowdoin College in 1821, was elected to Phi Beta Kappa in 1824, and graduated in 1825.He published his first work in 1828, the novel Fanshawe; he later tried to suppress it, feeling that it was not equal to the standard of his later work. He published several short stories in periodicals, which he collected in 1837 as Twice-Told Tales.The following year, he became engaged to Sophia Peabody. He worked at the Boston Custom House and joined Brook Farm, a transcendentalist community, before marrying Peabody in 1842. The couple moved to The Old Manse in Concord, Massachusetts, later moving to Salem, the Berkshires, then to The Wayside in Concord.The Scarlet Letter was published in 1850, followed by a succession of other novels. A political appointment as consul took Hawthorne and family to Europe before their return to Concord in 1860.Hawthorne died on May 19, 1864, and was survived by his wife and their three children.Much of Hawthorne's writing centers on New England, many works featuring moral metaphors with an anti-Puritan inspiration. His fiction works are considered part of the Romantic movement and, more specifically, dark romanticism.His themes often center on the inherent evil and sin of humanity, and his works often have moral messages and deep psychological complexity.His published works include novels, short stories, and a biography of his college friend Franklin Pierce, the 14th President of the United States.- IMDb Mini Biography By: Bonitao
- Spouse Sophia Peabody (1842 - May 19, 1864) (his death, 3 children)
- Stories about women who live in a strict household or society and are some how wronged by a father, husband, or lover.
- Pictured on a 20¢ US commemorative postage stamp issued in his honor, 8 July 1983.
- Son Julian Hawthorne also became a writer and recorded the biography of his parents' life.
- Grandfather to children's biography writer and poet Hildegarde Hawthorne, daughter of Julian Hawthorne-Oskison (1871-1934).
- Children: Una Hawthorne (1844-1877) Julian Hawthorne (1846-1934) Rose Hawthorne (1851-1926)
- Hawthorne added the 'w' to his last name out of guilt and shame due to the fact that his ancestor was Judge Hathorne at the famous Salem Witch Trials.
- Happiness in this world, when it comes, comes incidentally. Make it the object of pursuit, and it leads us a wild-goose chase, and is never attained.
- [Oxford University in 1856] How ancient is the aspect of these college quadrangles. So gnawed by time. Some crumbly, so blackened, so grey where they are not black, so quaintly shaped with here a line of battlements and there a row of Gables; and here a turret with probably a winding stair inside, and lattice windows with stone mullions and little panes of glass set in lead, and the cloisters with a long arcade looking upon a green or pebbled enclosure.
- She had not known the weight until she felt the freedom.
***
贵格会的做法向苏共和中共的游街示众，当然中国古代也是这样的，一点不像教会的宽容，只有羞辱和恐惧。
@riders77777
21 hours ago
The Quakers' practice is similar to the Soviet and Chinese Communist Party's parading through the streets. Of course, it was also the same in ancient China. It is nothing like the church's tolerance, only humiliation and fear.
***
Thank you for clarifying! The character you're referring to is Major Winthrop, the military leader responsible for harming the local Native Americans in the 1995 adaptation of The Scarlet Letter. He is the one who attacks Hester Prynne and is burned in the eye by her with a candle during their confrontation.
This character represents the brutality and arrogance of colonial military authority, emphasizing the oppressive power dynamics of the era.
In the 1995 film adaptation of The Scarlet Letter, the character Major Dunsmuir is portrayed by actor Malcolm Storry.
Major Dunsmuir is depicted as a military figure whose actions contribute to the tension and conflict within the narrative.
For a comprehensive list of the cast and their respective roles, you can refer to the film's IMDb page.
For a visual glimpse into the film, you might find the official trailer insightful:
https://www.imdb.com/title/tt0114345/fullcredits/?mode=desktop&ref_=m_ft_dsk&utm_source=chatgpt.com
See agents for this cast & crew on IMDbPro
Directed by
| Roland Joffé | ||
Writing Credits (WGA)
| Nathaniel Hawthorne | ... | (novel) |
| Douglas Day Stewart | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Mohamed Al-Fayed | ... | executive producer (uncredited) |
| Robert F. Colesberry | ... | co-producer (as Robert Colesberry) |
| Jonathan Cornick | ... | associate producer |
| Dodi Fayed | ... | executive producer |
| Roland Joffé | ... | producer |
| Tova Laiter | ... | executive producer |
| Andrew G. Vajna | ... | producer |
Music by
| John Barry | ||
Cinematography by
| Alex Thomson | ||
Editing by
| Thom Noble | ||
Casting By
| Elisabeth Leustig | ||
Production Design by
| Roy Walker | ||
Art Direction by
| Tony Woollard | ||
Set Decoration by
| Rosalind Shingleton | ||
Costume Design by
| Gabriella Pescucci | ||
Makeup Department
| Serge Morache | ... | assistant hair stylist |
| Linda Steeves | ... | makeup artist |
| Elizabeth Kuchurean | ... | makeup artist (uncredited) |
| Jennifer Bower O'Halloran | ... | hair stylist (uncredited) |
| Francesca Paris | ... | hair stylist (uncredited) |
| Cynthia Patton | ... | hair stylist (uncredited) |
| Fabrizio Sforza | ... | makeup department head (uncredited) |
| Hanna Yee | ... | assistant hair stylist (uncredited) |
Production Management
| John M. Eckert | ... | unit production manager |
| John Wilbur | ... | unit manager |
| Michael R. Sloan | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
| Simon Board | ... | third assistant director |
| Stephen Bélanger | ... | third assistant director (as Stephen H. Belanger) |
| Craig Cameron | ... | third assistant director |
| John Gallagher | ... | second assistant director (as John E. Gallagher) |
| Buddy Joe Hooker | ... | second unit director |
| Dennis Maguire | ... | first assistant director |
| Lars P. Winther | ... | second assistant director (as Lars Winther) |
| Jonathan Wright | ... | third assistant director |
| James Aubrey Smith | ... | assistant director (uncredited) |
Art Department
| Daniel R. Bradette | ... | assistant property master |
| Rob Eshelby | ... | property builder |
| John Mackenzie | ... | construction supervisor |
| Rocco Matteo | ... | set designer |
| Joseph Musso | ... | storyboard artist (as Joe Musso) |
| Michael Nemirsky | ... | art director: Campbell River |
| John Porter | ... | construction supervisor |
| Gordon Routledge | ... | construction supervisor |
| Graham Sumner | ... | property master |
| Alan Taylor | ... | construction coordinator |
| Gordon White | ... | set designer |
| Aaron Wolfater | ... | assistant property master |
| Gary Allen Ferguson | ... | property builder (uncredited) |
| Mark Laing | ... | set designer (uncredited) |
| Dan Owens | ... | set dresser (uncredited) |
Sound Department
| James Ashwill | ... | foley mixer |
| Christopher Assells | ... | sound effects editor |
| Bob Beher | ... | foley editor |
| Mark Berger | ... | supervising re-recording mixer |
| John T. Cucci | ... | foley artist |
| Dino Dimuro | ... | sound effects editor |
| Rickley W. Dumm | ... | assistant sound editor |
| Dan Hegeman | ... | foley editor |
| Philip A. Hess | ... | foley editor |
| Thomas Hidderley | ... | production sound mixer |
| Holly Huckins | ... | adr supervisor |
| Craig S. Jaeger | ... | foley editor |
| Dave McMoyler | ... | supervising sound editor |
| Dan O'Connell | ... | foley artist |
| Bruce Richardson | ... | foley supervisor |
| Ed Simon | ... | foley recordist |
| Reynald Trudel | ... | boom operator |
| Don Ellis | ... | 2nd boom operator (uncredited) |
| Philip Rogers | ... | sound recordist (uncredited) |
| Jon Title | ... | sound effects editor (uncredited) |
| Steven Yeaw | ... | machine room loader (uncredited) |
Special Effects by
| Gary Kleinsteuber | ... | special effects technician |
| Kaz Kobielski | ... | special effects |
| Pierre L'Heureux | ... | special effects technician |
| Arthur Langevin | ... | special effects assistant |
| Tim Lidstone | ... | special effects key |
| Martin Malivoire | ... | special effects |
| Terry Sonderhoff | ... | special effects technician |
| Dan Cervin | ... | special effects technician (uncredited) |
| Bob Hall | ... | special effects unit key (uncredited) |
| Warren Keillor | ... | special effects propmaker (uncredited) |
| Dean Stewart | ... | special effects technician (uncredited) |
Stunts
| Michael Lee Baron | ... | stunt double: Mr. Oldman |
| Guy Bews | ... | stunts |
| Eric Bryson | ... | stunts |
| Donna Big Canoe | ... | stunts |
| Jeff Dashnaw | ... | stunt coordinator |
| John Dodds | ... | stunts |
| Tamara Duguay | ... | stunts |
| Flint Eagle | ... | stunt performer |
| Jim Finkbeiner | ... | stunts |
| Ben Gauthier | ... | stunts |
| François Gauthier | ... | stunts (as Frank Gauthier) |
| Corry Glass | ... | stunts |
| Jason Glass | ... | stunts |
| Tom Glass | ... | stunts |
| Alex Green | ... | stunts |
| Joy Hooper | ... | stunt double: Ms. Jolliff |
| David Jacox | ... | stunts |
| Cinda-Lin James | ... | stunt double: Demi Moore |
| Jamie Jones | ... | stunts |
| Brennan Lazare | ... | stunts |
| Billy Linders | ... | stunts |
| Mike Mitchell | ... | stunts |
| Lester Norton | ... | stunts |
| Sue Parker | ... | stunts (as Suzy Parker) |
| Fred Perron | ... | stunts |
| Alison Reid | ... | stunts |
| Paul Rutledge | ... | stunts |
| Greg Schlosser | ... | stunts |
| John Scott | ... | stunts |
| Warren A. Stevens | ... | stunt double: Mr. Duvall (as Warren Stevens) |
| John Stoneham Jr. | ... | stunts |
| Brent Woolsey | ... | stunt coordinator |
| Duane Howard | ... | stunt performer (uncredited) |
| Warren A. Stevens | ... | stunt coordinator (uncredited) |
Camera and Electrical Department
| Keith Adams | ... | grip |
| Nico Bally | ... | dolly grip: "b" camera unit |
| Scott Brooke | ... | dolly grip: second unit / key grip: second unit |
| Eddie Collins | ... | camera operator (as Edward Collins) |
| Robert Daprato | ... | key grip |
| Bryan Forde | ... | gaffer |
| Sasha Hadden | ... | camera intern |
| Jeremy Lyall | ... | second assistant camera: "b" camera |
| Robert Rice | ... | best boy grip |
| Takashi Seida | ... | still photographer |
| Paul Spaven | ... | best boy |
| Stefan Stankowski | ... | camera operator |
| Paul Taylor | ... | Remote Head Technician |
| Steve Wong | ... | first assistant camera: second unit |
| Richard Allen | ... | gaffer: second unit (uncredited) |
| Don Ellis | ... | cable puller (uncredited) |
| Greg Haddow | ... | electrician (uncredited) |
| Maynard Harris | ... | grip (uncredited) |
| Gary Hutchings | ... | dolly grip: "a" camera (uncredited) |
| Michael Kohne | ... | key rigging grip (uncredited) |
| Guy R. LeBlanc | ... | rigging gaffer (uncredited) |
| Ray Meehan | ... | chief lighting technician (uncredited) |
| Paul Mitcheltree | ... | focus puller: "c" camera (uncredited) |
| Eamonn O'Keeffe | ... | focus puller (uncredited) |
| Ted Overton | ... | second assistant camera: "b" camera (uncredited) |
| Ross Sangster | ... | electrician (uncredited) |
| Brad Whitlock | ... | focus puller: "b" camera (uncredited) |
Casting Department
| Brendan Donnison | ... | voice casting |
| Priscilla John | ... | casting: UK |
Costume and Wardrobe Department
| Henri Aubertin | ... | set costumer |
| Giancarlo Colis | ... | assistant costume designer |
| Mario Davignon | ... | costume supervisor |
| Aieisha Li | ... | set costumer |
| Roberta Palmer | ... | wardrobe assistant (uncredited) |
| Carlo Poggioli | ... | assistant costume designer (uncredited) |
| Alberto Spiazzi | ... | assistant costume designer (uncredited) |
Editorial Department
| Luis Colina | ... | first assistant editor |
| William Grayburn | ... | assistant editor |
| Kristen Helsing | ... | second assitant editor |
| Mo Henry | ... | negative cutter |
| Margaret Liu | ... | apprentice editor |
| Chris Peppe | ... | assistant editor |
| Dawn M. Stoliar | ... | second assistant editor |
| Ben Bulatao | ... | editor intern (uncredited) |
| David Orr | ... | color timer (uncredited) |
Location Management
| Keith Large | ... | location manager |
| Howard Rothschild | ... | unit location manager |
Music Department
| Bob Badami | ... | supervising music editor |
| John Barry | ... | conductor |
| English Chamber Orchestra | ... | score performed by (as The English Chamber Orchestra) |
| Cliff Kohlweck | ... | music editor |
| John Kurlander | ... | score mixer |
| Nic Raine | ... | orchestrator |
| Happy Walters | ... | music supervisor |
| Spring Aspers | ... | music coordinator (uncredited) |
| Elmer Bernstein | ... | composer: unused score (uncredited) |
| Mark Berrow | ... | musician: violin (uncredited) |
| Peter Buffett | ... | composer: additional music (uncredited) |
| Roger Linley | ... | musician: double bass (uncredited) |
| Steve Mair | ... | musician: double bass (uncredited) |
| Patrick Russ | ... | orchestrator (uncredited) |
| Jonathan Snowden | ... | musician: flute (uncredited) |
Script and Continuity Department
| Pat Rambaut | ... | script supervisor |
Transportation Department
| Brian Best | ... | driver |
| Fred Ionson | ... | transportation coordinator |
| Rob Eshelby | ... | driver (uncredited) |
| Dave Marwick | ... | driver: honeywagon (uncredited) |
Additional Crew
| Brian Backman | ... | office production assistant |
| Wenden K. Baldwin | ... | title designer |
| Lori Greenberg | ... | production coordinator |
| Richard Hughes | ... | wrangler |
| Jeff Johnson | ... | marine coordinator (as Captain Jeff Johnson) |
| Gary Myles | ... | wrangler |
| Alda Neves | ... | production coordinator |
| Jerry Phillips | ... | wrangler |
| Lee Phillips | ... | head wrangler |
| David Roy | ... | wrangler |
| Dawn Sharpe | ... | 1st assistant accountant / post accountant |
| Kim Smith | ... | boat wrangler |
| Brad Wilson | ... | assistant: Robert Duvall |
| Deborah Wuliger | ... | publicist |
| Brit Babcock | ... | development (uncredited) |
| Lori Ann Bellefontaine | ... | cast wrangler (uncredited) |
| Terry Collis | ... | production executive (uncredited) |
| Natalie Fokes | ... | assistant accountant (uncredited) |
| Alan Jacques | ... | projectionist (uncredited) |
| Lauren Lloyd | ... | studio executive (uncredited) |
| Tim Monich | ... | dialect coach (uncredited) |
| Phil Silver | ... | post-production accountant (uncredited) |
| Emily Stankovich | ... | executive assistant to director (uncredited) |
| James P. Warren | ... | animal trainer (uncredited) |
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@dianet6911
2 days ago